Peter Gill Festival

Theatre: work includes: Ecstasy and Uncle Vanya (Hampstead Theatre); Measure For Measure and Julius Caesar (Riverside Studios); A Month In The Country, Don Juan, Danton's Death, Venice Preserv'd (British Drama Award), Tales From Hollywood, Fool For Love (West End), Antony And Cleopatra, The Late Shakespeares and Remembrance Of Things Past (Olivier Award for Best Costume Designer) and Luther (all Royal National Theatre); Tartuffe, Volpone and Hamlet (RSC); Orpheus Descending (Haymarket and Broadway).

Opera: includes: New Year (Houston and Glyndebourne); Gawain and Arianna (ROH); Jemifa (Dallas); Billy Budd (Geneva, Paris, LA, ROH -Olivier Award); Khovanshchina (ENO — Olivier Award); Meistersinger (Copenhagen); Turandot (Paris); The Flying Dutchman and Julius Caesar (Bordeaux); Tristan And Isolde (Seattle and Chicago); Otello (Munich); Dialogues Of The Carmelites (Santa Fe); Aida (Geneva) and The Last Supper (Berlin and Glyndebourne). Film: work includes: Mike Leigh's Life Is Sweet; Naked and Secrets And Lies (Palme D'Or, Cannes).

She is Director of Motley Theatre Design Course.

Theatre: The Wizard Of Oz (West Yorkshire Playhouse); Macbeth (Nor Jyske Opera); Dangerous Corner (West Yorkshire Playhouse and the Garrick Theatre); The Clandestine Marriage (the Watermill Theatre); The Europeans (the British American Drama Academy); Arms And The Man (Exeter and the Mercury Theatre, Colchester); Three French Operas (Guildhall School of Music and Drama); Orpheus In The Underworld (Den Ny Opera, Denmark); Second To Last In The Sack Race (the New Victoria Theatre, Stoke); The Rise And Fall Of Little Voice (Salisbury Playhouse); Local Boy (Hampstead Theatre); Dangerous Corner (Palace Theatre, Watford); Sugar Sugar

(Bush Theatre); The Winter's Tale (Royal National Theatre Studio); 218: Underground (National Youth Theatre); The Rake's Progress and Don Giovanni (Royal Scottish Academy of Music and Drama); The Rake's Progress (British Youth Opera); Vanessa (Trinity College of Music). Film: I Just Want To Kiss You (BBC 2 'Brief Encounters'); You Shall Have A Fishy (Open Eye Productions).

Musicals: recent work includes: Show Boat and West Side Story (Tiroler Landestheater, Innsbruck); Dorian (Arts Theatre); Jesus Christ Superstar (Theatre Royal, Hanlcy); Assassins and Sweet Lorraine (Old Fire Station, Oxford); and The Happy Prince (tour). Hartley is also Artistic Director of C venues at the Edinburgh Festival.

(Gate Theatre, Dublin). He directed and designed the European premiere of Earth And The Great Weather (by John Luther Adams) for the Almeida Opera 2000 season. Recently designed sets and lighting for Un Ballo In Maschera — Vilnius Festival. Television/Film: work includes directing 24 short films for the BBC2 series Forthy-Eight Preludes And Fugues (J S Bach) and he was lighting director for the other 24 films in the series. He was also Director of Photography for a new TV film version of Jenufa (dir. Katie Mitchell) for BBC2. In the past his work as a TV/film director has won both the Opera Screen and Dance Screen Awards and his TV adaptation of Matthew Bourne's Swan Lake was nominated for an Emmy. He was the winner of the 1995 Laurence Olivier Award for Outstanding Achievement in Dance for his work on The Glass Blew In (Siobhan Davies) and Fearful Symmetries (Royal Ballet) and nominated Best Lighting Designer in 2000. He recently won Best Lighting Designer at the Irish Theatre Awards for Iphigenia.

Theatre: Terry's compositions for theatre include: Luther, The Rise And Fall Of Little Voice, The Misanthrope, Neaptide, The Festival Of New Plays, Antigone and Tales From Hollywood (Royal National Theatre); Alice In Wonderland, A Patriot for Me, New England and Coriolanus (RSC); Life After George (the Duchess Theatre); The Lady In The Van (Birmingham Rep); Speed-The-Plow (Ambassadors and Duke of York's); Romeo And Juliet, As You Like It, Love's Labour's Lost, Much Ado About Nothing, Twelfth Night and A Midsummer Night's Dream

(Regent's Park Theatre). The York Realist, Hushabye Mountain and The School For Scandal (English Touring Theatre); Alarms And Excursions (Gielgud Theatre); Tongue Of A Bird (Almeida Theatre); The Snow Queen (Theatr Clwyd); Uncle Vanya (Held Day); The Way Of The World (Lyric, Hammersmith) and Richard III (Icelandic National Theatre). Terry has written two musicals: Kes (music and lyrics for Octagon Theatre, Bolton and Theatre Royal, York) and The Birds (Istanbul City Theatre).

Television: Terry has conducted and/or orchestrated for many dramas and documentaries including: The Inspector Lynley Mysteries; Flesh And Blood; Sinners; Dalziel And Pascoe; Shackleton; Crime And Punishment; Bloody Sunday; Perfect Strangers (BAFTA nominated score); Jason And The Argonauts; Superhuman; The Mayor Of Casterbridge; The Turn Of The Screw; All The King's Men; Shooting The Past (winner Prix Italia, 1999); Our Mutual Friend and Deacon Brodie.

Film: Terry has orchestrated and conducted the scores for Doctor Sleep; The Lawless Heart; The Sleeping Dictionary; Born Romantic; A Midsummer Night's Dream (Michelle Pfeiffer and Kevin Kline version); The War Zone; Perdita Durango; Cousin Bette and Photographing Fairies and orchestrated The Parole Officer. He also conducted the music for The House Of Mirth; Some Voices; About Adam; The Suicide Club; The Last Yellow; With Or Without You; Shakespeare In Love (co-conductor — Oscar-winning score); The Debt Collector and Divorcing Jack.

He comes to the Crucible on the Channel Four Theatre Director Scheme, where he has assisted Michael Grandage on Richard III and Don Juan, Angus Jackson on Mamet's Sexual Perversity In Chicago and The Shawl, Fiona Laird on High Society (on which he was also resident director) and Erica Whyman on Pinter's The Birthday Party.