O'Casey, Ireland
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Juno and the Paycock
by Sean O'Casey
Royal National Theatre
Lyttleton Theatre, 22 February 1989
- Setting:
- The home of the Boyles in Dublin. The play takes place in 1922: one
year after the Free State was established with dominion status within the
British Empire. The Republican movement was split in two by the decision
to accept an oath of allegiance to the British Crown, and Irregular Soldiers
took up arms to fight the DieHard cause against the government of the Free
State.
- Act I:
- A morning in September
- Interval
- Act II:
- Two days later, six in the evening
- Interval
- Act III:
- Two months later, half past six in the evening
- There is a short break in Act III during which the curtain falls
- Length:
- about 2˝ hours, including two 12-minute intervals
This production of Juno and the Paycock uses the standard Macmillan
text (1925), with some minor amendments drawn from two earlier drafts of the
play, made available to the NT by the O'Casey estate.
See also programme notes
and Sean O'Casey biographical details.
Credits
Mary Boyle |
Rosalind Bennett |
Trained at Drama Centre. Theatre: George Dandin (Gate), The Servant of
Two Masters (Liverpool Playhouse), Lyric for a Tango (Theatre Royal Windsor).
TV: Heart of the Country, Coronation Street, Campaign, The Fear, The Facts
of Life, The Manageress. Films: Christmas, Vroom, American Roulette, Dealers.
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Juno Boyle |
Linda Bassett |
Theatre includes: work with Interplay Community, Leeds; Belgrade Theatre-in-Education
Co, Coventry; Joint Stock (in Fen); Abet's Sister, Aunt Dan and Lemon (Royal
Court); also Varya in The Cherry Orchard (Leicester Haymarket), Medea, The
Bald Prima Donna (Leicester Haymarket, Liverpool Playhouse, Almeida); Serious
Money (Royal Court, Wyndham's, Joseph Papp's Public Theater, New York);
The Recruiting Officer, Our Country's Good (Royal Court) NT: A Place With
The Pigs. TV includes: Traffik. Films include: Waiting for the Moon, Paris
By Night.
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Johnny Boyle |
Linus Roach |
Trained at the Central School of Speech and Drama. Theatre: Five Finger
Exercise (Cambridge Theatre Co tour), The Mother (Contact, Manchester),
A Taste of Honey (Northampton Theatre Royal), A Colder Climate (Royal Court).
RSC: Titus Andronicus, lndigo, A Question of Geography, Julius Caesar, Divine
Gossip (Stratford/Barbican), Keeping Tom Nice (Almeida). TV: A Sort of Innocence.
Films: No Surrender, Link.
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Jerry Devine |
Fabian Cartwright |
Trained at Webber Douglas. Theatre includes: Shadow of a Gunman, and
seasons with the Lyric Players, Belfast; Joyriders (Paine's Plough); Public
Enemy (Lyric Hammersmith); McAlpine's Fusiliers (Contact, Manchester); Young
Writers Festival (Royal Court); Welcome to Bladenmore Road (Lyric, Belfast
as part of the Belfast Festival). TV includes: Lost Belongings, God's Frontiersmen,
Coronation Street. Film: Henry V
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Captain Jack Boyle |
Tony Hagarth |
Theatre includes repertory at Newcastle, Edinburgh, Sheffield. In London,
at the Royal Court. Dear Janet Rosenberg Dear Mr Kooning and Shivers (Theatre
Upstairs), Don's Party, and recently A Lie of the Mind. At the Bush. Love
Field. For the RSC: The Devil's Disciple. At the Open Space: Hamlet. For
the NT: Lark Rise, Candleford, The Long Voyage Home, The Iceman Cometh,
The Passion, The Crucible (also in the West End), Don Quixote, Way Upstream,
A Midsummer Night's Dream, Glengarry Glen Ross (also at the Mermaid), Cinderella,
She Stoops to Conquer, The Tempest, Cymbeline, Mountain Language. TV includes:
Love's Labour's Lost, I Claudius, Holocaust, Rosie, Kinvig, The Borgias,
Two Gentlemen of Verona, Caucasian Chalk Circle, The Insurance Man, The
December Rose, Farrington of the FO, Hardwick House, The Growing Pains of
Adrian Mole, Our Geoff, Blind Justice, Bergerac, Scoop. Films: Percy, Unman,
Wittering and Zigo, Dracula, Dick Turpin, McVicar, The Human Factor, A Private
Function, Prospects, Clockwise, A Month in the Country, The Dressmaker,
Tree of Hands.
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Joxer Daly |
Tom Hickey |
Founder member of Dublin Focus Theatre, plays there include Miss Julie,
Antigone, Uncle Vanya, The Night of the Iguana. Voted Actor of the Year
(1975) for 'The Character' in What a Bloody Circus. Has worked extensively
with the Abbey Theatre, since 1978, playing in Galileo (name part), Of Mice
and Men, The Silver Dollar Boys, The Gigli Concert, Observe the Sons of
Ulster. Has worked in collaboration with writer Tom Maclntyre and director
Patrick Mason on five Theatre-of-the-image plays: The Great Hunger, (tour
to Edinburgh/London/Paris/Moscow Leningrad/New York), The Bearded Lady,
Rise Up Lovely Sweeney, Dance for Your Daddy, Snow White. TV: The Riordans,
An Traill, Jude the Obscure, The Year of the Child, Roses from Dublin, Love
Is, One of Ourselves. Films: Flight of the Doves, Cal, Desecration, Eh Joe,
Gothic, High Spirits.
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Sewing machine man |
Harry Webster |
Has worked extensively in theatre, film, TV, and on radio. Is an ex-member
of the Abbey Theatre, but most recently worked at Birmingham Rep in The
Crucible. Returns to the NT where he appeared in The Playboy of the Western
World, Hamlet, Tamburlaine the Great and The Plough and the Stars. TV includes:
The Taming of the Shrew, Tales of the Unexpected, Kelly Monteith, Terry
and June, Sorry!, Casualty, Grange Hill, Omnibus, Crown Court, Cockles,
The Other Art, History of Ireland, The Sandbaggers, Autumn Sunshine, Red
Roses for Me. Films: SS, No Surrender, Rude Health, Little Dorrit. Radio:
The Irish RM, The Manchester Enthusiasts, Cock A Doodle Dandy.
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Coal block vendor |
Paul Conway |
Theatre: The Bofors Gun, The Irish Hebrew Lesson (Players' Trinity, Dublin),
Hamlet (Pavilion, Dublin), The Informer (Olympia, Dublin), 70% Proof Sunflower,
Wind of the Word (Team Theatre Co/lrish tour), The Golden Hair (Project
Arts Centre, Dublin), Surprise for Miriam (Pooka, Dublin), The Kips, The
Digs and The Village, Pledges and Promises, A Hape of Junk (Irish tour/Royal
Court), The Wild Turkey (Academy, Dublin), Birdbrain (co-formed and co-directed
Company on Irish tour), Into the Night (Albany Empire). TV: German Spies,
The Country Girls, Inside. Video: Looking for Dev, The Drip.
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Charles Bentham, a schoolteacher |
Richard Bonneville |
Trained at Webber Douglas. Theatre includes work with National Youth
Theatre; Romeo and Juliet, Arms and the Man (Regent's Park), The Dream (Regent's
Park, European Tour), French Without Tears (Leicester), Dick Whittington,
Look Back in Anger, Taming of the Shrew, The Circle, Taking Steps (Colchester).
NT: Yerma, School for Wives, Entertaining Strangers.
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Mars Maisie Madigan |
Aine Ni Mhuiri |
Trained at Abbey Theatre, Dublin, working extensively there in, amongst
others, The Loves of Cass Maguire, The Plough and the Stars (and tour of
USA), The Field. Also many appearances at the Irish National Theatre's Peacock
Theatre, including Midnight Court, and David Storey's Home. Has played and
toured with the Gate, Dublin; in The Infomer (Olympia, Dublin); and in Medea
(Dublin Theatre Festival). TV includes: The Irish RM, The Price, Miracles
and Miss Langan. Film's: Echoes, The Lonely Passion of Judith Hearne.
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Mrs Tancred |
Pauline Delany |
Member of Dublin Globe Theatre Company (1954-61); performer with Gate
Company, Olympia, Gemini, and Longford Productions. Recent theatre: The
Last Hero (Abbey, Dublin), Juno and the Paycock (Gate, Dublin), The Saxon
Shore (Almeida), A Lovely Day Tomorrow (Birmingham Rep), Richard III (Ludlow
Festival), A Perfect Relationship (King's Head), Cross Purpose (Hampstead),
The Hostage (Royal Court), The Beaux' Stratagem (Glasgow Citizens'), O'Casey
Season (Mermaid), The Poker Session (Globe, Shaftesbury Ave). TV includes:
the long-running series Public Eye, Late Starter, Travellers By Night, Mixed
Blessings, The Expert, Z Cars, Beckett Anthology, The Thief of Mourning,
Red Roses for Me, Maybury, The Seagull, The Achurch Letters, Stephen D,
The Playboy of the Western World, The Dead, A Taste of Death. Films: Nothing
But The Best, Brannigan, Percy, The Love Ban, The Young Cassidy, Rooney,
Innocent Sinners, The Very Edge, Trenchcoat. ls a frequent broadaster on
radio.
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Neighbours |
Deirdre Halligan |
While studying literature and drama at University College Dublin, she
won a scholarship to the Abbey Theatre School of Acting, Dublin. She played
in both the Abbey and the Gate, Dublin, before touring with Carl Clapet
Productions. Later joined Ronald Ibbs' Dublin Players, who toured extensively
in Ireland and America.
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Melee Hutton |
Trained at RSAMD. Theatre: Across the Barricades. New Kid (York Theatre
Royal), Smallholdings (Oxford Irish Festival), Siol Phadraig (London Irish
Theatre Co), The Vinegar Fly, Smallholdings (Soho Poly). TV: Dick Whittington.
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Tricia Kelly |
Theatre: seasons with Liverpool Everyman; Chester Gateway; member of
Perspectives Theatre Co and Red Ladder. Plays include: The Olde Curiosity
Shop (Lincoln Theatre Royal); Bitter Apples (7:84 Theatre Co), New Anatomies
(Womens' Theatre Group), Fen (New York), A Mouthful of Birds (Joint Stock,
Almeida, Royal Court), Womberang (Croydon Warehouse), Deadlines (Royal Court),
Top Girls (Duke's Playhouse, Lancaster), God's Wonderful Railway (Bristol
Old Vic Studio ), Beauty and the Beast (Liverpool Playhouse/Old Vic), The
Country Wife, Joking Apart (Belgrade, Coventry), Peer Gynt (Cambridge Theatre
Co), Motherlove (Etcetera), Saturday Night and Sunday Morning (Nottingham
Playhouse), The Last Supper (Royal Court/Leicester Haymarket). TV: Real
Lies, No Problem, That's History Gran, In Sickness and In Health, Cristabel.
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Needle Nugent, a tailor |
Derry Power |
Member of Abbey Theatre, Dublin (1955-60). Extensive work at the Gate,
Dublin, plays include: Joan of the Stockyards, The Taming of the Shrew,
A Servant of Two Masters, In 1968 nominated "Most Versatile Actor in Ireland",
and in 1979 named "Best Supporting Actor", by the Sunday Independent Newspaper,
Other theatre includes: Stephen D (Gate/St Martin's, London), Philadelphia
Here I Come (Gate/Lyric, Shaftesbury Avenue), The Patrick Pearse Motel (Olympia,
Dublin/ Queen's, London), The Threepenny Opera (Prince of Wales), The Playboy
of the Western World (Edinburgh Festival/Riverside Studios), TV includes:
Stephen D, The Dead, Clay, Two Gallants, Up The Bare Stairs, Village Hall,
The Fall and Rise of Reginald Perrin, The xyy Man, Red Roses for Me, Cribb,
Murphy's Stroke, Supergran, Bulman, The Insurance Man, The Irish RM, Fortycoats,
Three Wishes for Jamie, Remington Steele, Films include: The Fantasist,
Rawhead, My Left Foot.
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An irregular mobiliser |
Paul McCleary |
Theatre includes repertory in Manchester, Derby, Chester, Liverpool,
Sheffield, Edinburgh, Bristol, Westcliff-on-Sea, Ludlow, Stoke. In London:
Hamlet, Dig for Victory, Snapshots, Sisters, Hottest Bet in Town, All Our
Loving, Aladdin, Theatre Royal Follies (Stratford East), Moll Flanders,
Henry IV (Croydon Warehouse), Hamlet, Measure for Measure (Young Vic), Going
West (Soho Poly), Woman in White (Greenwich). RSC: Il Candelaio, Real Dreams,
The Danton Affair, Happy End, The Taming of the Shrew, Zoo Story, Difficult
Times, The Merchant of Venice, Much Ado About Nothing, Operation Elvis.
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Removal men |
Neil Clark |
Theatre: The Brewery Beano, Tom Jones (Derby Playhouse), The Great White
Hope (Tricycle), Canterbury Tales (New Vic Co), Entertaining Mr Sloane (Salisbury
Playhouse). TV: Piece of Cake. Film: The Death of Romance.
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Peter Dineen |
Theatre includes: work at Lincoln, Torch Theatre, Milford Haven (founder
member), Donovan Maule Theatre, Nairobi, and tour of A Funny Thing Happened
on the Way to the Forum, Julius Caesar (Birmingham Rep). His own play, Barrack
Street, which he also directed, was at Everyman Theatre, Cork, 1985. NT:
Hiawatha, Don Quixote, Danton's Death, Lorenzaccio, Venice Preserv'd, Golden
Boy, Wild Honey, Antigone, The Spanish Tragedy, Coriolanus, Futurists, Yonadab,
A View from the Bridge (Aldwych), 'Tis Pity She's A Whore, work at the NT
Studio. Film: Majesty of the Law.
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Irregular soldiers |
Paul Conway |
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Aidan Gillen |
Theatre includes: work with the Studio, Dublin, the SFX Centre, A Midsummer
Night's Dream (National Youth Theatre, Ireland), Bust, Our Day Out (Project
Arts, Dublin), Thick as Thieves (Players' Theatre), Charades (Dublin Youth
Theatre), Handful of Stars (Bush) TV includes: Debs, A View of Henry Clarke.
Films include: The Lonely Passion of Judith Hearne, The Courier.
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Director |
Peter Gill |
Associate Director of NT since 1980, Director of the NT Studio from 1984,
Associate Director of Royal Court (1970- 72), Founding Director of Riverside
Studios (1976-80). Plays he has written include. The Sleeper's Den, A Provincial
Life (from a short story by Anton Chekhov), Over Gardens Out, Small Change,
Kick For Touch, As I Lay Dying (after William Faulkner), ln the Blue, Mean
Tears. Adaptations: The Merry-Go-Round, Touch and Go, The Cherry Orchard.
As a director work includes: at the Royal Court: A Collier's Friday Night,
The Daughter-in-Law, The Widowing of Mrs Holroyd, The Merry-Go-Round, A
Soldier's Fortune, The Local Stigmatic (also at Traverse Edinburgh in a
double bill with The Dwarfs), Life Price, Crimes of Passion, The Duchess
of Malfi, Crete and Sergeant Pepper, Over Gardens Out, Small Change, Sleepers
Den. At Riverside Studios. Small Change, As You Like It (also Nottingham
Playhouse/Edinburgh Festival), The Cherry Orchard, The Changeling, Measure
for Measure, Julius Caesar, Scrape Off The Black. Also: O'Flaherty VC (Mermaid),
June Evening (tour), Much Ado About Nothing (Stratford Connecticut), Landscape,
Silence (Lincoln Center, New York), Hedda Gabler (Stratford Ontario), A
Midsummer Night's Dream (Zurich Schauspielhaus ), Twelfth Night (RSC), Fishing
(New York Shakespeare Festival), Bow Down, Down by the Greenwood Side (Queen
Elizabeth Hall), The Marriage of Figaro (Opera North). For the NT: Scrape
Off The Black, A Month in the Country, Don Juan, Much Ado About Nothing,
Danton's Death, Major Barbara, Kick for Touch, Small Change, Tales from
Hollywood, Antigone, Venice Preserv'd, Fool for Love (also Lyric, Shaftesbury
Avenue), The Festival of New Plays, Mean Tears, Mrs Klein (also Apollo Theatre).
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Designer |
Deirdre Clancy |
Has worked on many productions for theatre, opera and film, designing
for the RSC, English National Opera, Edinburgh Festival, The Metropolitan
Opera House, and in Munich, Rome and Stratford Ontario, Recent work includes:
costumes for The Way of the World (Chichester Festival/Haymarket) and Strange
Interlude (New York), Mephisto, Twelfth Night (RSC), set and costumes for
Candide (Guthrie, Minneapolis), costumes for Faust, Cavalleria Rusticana
(ENO), Ruddigore, Bitter Sweet (New Sadler's Wells Opera Co), Macbeth (Shochiku
Co, Tokyo ), and Verdi's Macbeth (Opera North), costumes for The Admirable
Crichton (Haymarket), and costumes for Lohengrin (Wiesbaden, Germany). For
the NT: Spring Awakening, Grand Manoeuvres, The Playboy of the Western World,
Watch It Come Down, Il Campiello, Volpone, The Madras House, Lorenzaccio,
A Midsummer Night's Dream, Cinderella, Golden Boy, Wild Honey, The Government
Inspector, Films include: The Virgin and the Gypsy, Ill Fares the Land,
The Girl from Petrovka, The Elgin Marbles, The Bureaucracy of Love.
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Lighting |
Mark Seaman |
Work with Prospect Theatre Go at the Old Vic in 1981, then Royal Opera
House, before beginning work at the NT. Has lit many Platform Performances
and studio productions for the NT, as well as Mrs Klein (also Apollo} Has
lit many concerts and exhibitions as a freelance.
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Assistant Director |
Tim Supple |
Directed extensively at Cambridge University. Won a Thames TV Bursary
to York Theatre Royal, directed plays by Kroetz, Shakespeare, Brecht and
Miller. Assistant Director at the Royal Court during 1987. Directed The
Winter's Tale (Cambridge Arts); the Royal Court's Young Writers' Festival;
and Inventing a Colour at the NT Studio where he also assisted Peter Gill
on The Darkening Fields. Presently resident at Leicester Haymarket where
he directed Oh! What a Lovely War in the summer of 1988.
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Staff Director |
Leona Heimfeld |
Founder and director of Red Stage Theatre Co, For Red Stage' Cargo Cult
(King's Head). For the RSC: Alpha Behn (Youth Festival, Swan Theatre), Assistant
Director on The Rover (Mermaid), Cargo Cult, Janet and John (Early Stages,
Barbican) NT: as staff director, Bartholomew Fair, Single Spies,
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Dialect Coach |
Julia Wilson-Dickson |
Trained as a teacher at the Central School of Speech and Drama. After
several years teaching drama, directing and acting, she taught voice at
LAMDA, The City Lit, several American universities in Britain, and then
returned to Central School to teach on the Stage course. Voice and dialect
work for the theatre include: The Normal Heart, When I Was A Girl I Used
to Scream and Shout, Journey's End, The Hired Man, work with the Cambridge
Theatre Co, tour of Chorus Line, The Cocktail Party (directed by John Dexter),
Orpheus Descending (directed by Peter Hall), Arthur Miller's double bill
(Young Vic), For the NT: The Festival of New Plays (for the re-opening of
the Cottesloe), Long Time Gone, Bow Down (NT Studio), Antony and Cleopatra
and Cymbeline, The Winter's Tale, The Tempest. Films include: The Navigator,
Precious Bane.
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Production Manager |
Roger Hulley |
Stage Manager |
Elizabeth Markham |
Deputy Stage Manager |
Sue Millin |
Assistant Stage Managers |
E. Sarah Newall |
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Jon Ormrod |
Sound |
Paul Groothuis |
Assistant to the lighting designer |
Julian McCready |
Design Assistant |
Kate Robertson |
Costume Supervisor |
Carrie Bayliss |
Research |
Philomena Muinzer |
Programme written by |
Philomena Muinzer |
Programme designed by |
Michael Mayhew |
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Rose Towler |
Production photographed by |
Donald Cooper |
Production credits |
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Set built by R D Scenery Ltd. Leeds. and painted by Mary Coxon. Side
flats built by Harris Bros. Property buyer Jane Slattery. Props and furniture
by NT workshops. Set model built by Lisa Robinson. Costumes by NT workshops
and 20th Century Costumes. Wigs by NT workshops. Thanks to Nuala Golden
of the Abbey Theatre. and to Paddy and Marv Phenis.
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