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Theatre
Field Day Theatre Company was founded in 1980 by Stephen Rea and Brian Friel.
With the resumption of its annual theatre programme, featuring Frank
McGuinness's adaptation of Chekhov's Uncle Vanya, Field Day embarks
on the second phase of its existence as a theatrical and publishing project. The
proposed Theatre Workshop in Derry, linked with the Derry City Council, is also
a sign of Field Day's commitment to the city and to the idea of a theatre that
has been embodied in Field Day's productions to date and that will be further
developed by both the workshop and the annual theatrical production.
Publications
In addition to Volume IV of the Field Day anthology, Field Day is embarking
on a new series of publications, in association with Cork University Press and
Notre Dame University Press. It will be called Critical Conditions: Field
Day Essays.
The aim of this series is to publish collections of articles by people who
have done or are doing distinguished work in relation to Ireland. Such
collections would make available to a wider audience material otherwise confined
to the readership of specialist journals.
The essays will be concerned with Irish history, cinema, literature,
geography, politics; they will be notable contributions to the current debates
on the writing of history, the critique of ideology, postcolonial theory,
political and social issues, literature and aesthetics. Future contributors may
include Siobhan Kilfeather, Máirín Ní Dhonnacadha, David Lloyd, Seamus Deane,
Kevin Barry.
Field Day 1980-95 record of achievements
Theatre
- 1980
-
World
premiere and tour of Translations by Brian Friel, directed by
Art O'Briain
- 1981
-
Tour of Chekhov's Three Sisters, adapted by Brian Friel,
directed by Stephen Rea
- 1982
-
World premiere and tour of Brian Friel's The Communication Cord,
directed by Joe Dowling
- 1983
-
Tour
of Athol Fugard's Boesman and Lena, directed by Clare Davidson
- 1984
-
World premiere and tour of The Riot Act by Tom Paulin (after
Sophocles' Antigone), directed by Stephen Rea, and of
High Time by Derek Mahon (after Molière's L'Ecole des Maris),
directed by Emil Wolk and Mark Long.
- 1986
-
World premiere and tour of Thomas Kilroy's Double Cross,
directed by Jim Sheridan
- 1987
-
World premiere and tour of Stewart Barker's Pentecost,
directed by Patrick Mason
- 1988
-
World
premiere and tour of Brian Friel's Making History, directed by
Simon Curtis
- 1989
-
World
premiere and tour of Terry Eagleton's Saint Oscar, directed by
Trevor Griffiths
- 1990
-
World premiere and tour of Seamus Heaney's
The Cure At Troy (after Sophocles' Philoctetes),
directed by Stephen Rea and Bob Crowley
- 1991
-
World premiere and tour of Thomas Kilroy's The Madame Macadam
Travelling Theatre, directed by Jim Nolan
- 1992
-
Play reading of David Rudkin's Cries from Casement as his Bones are
Brought to Dublin, in Derry, Belfast, Dublin, directed by Judy Friel
- 1995
-
Frank McGuinness's adaptation of Chekhov's Uncle Vanya,
directed by Peter Gill
The 1980, 1986, 1988, 1989, 1990 productions all transferred to London, to
the Royal Court (1980 and 86), National Theatre (1988), Hampstead Theatre
(1989), Tricycle Theatre (1990).
Stage events
- 1986
-
Poetry and Music by Seamus Deane, Tom Paulin, Seamus Heaney,
David Hammond, Arty McGlynn and Nollaig O'Casey, at the Guildhall, Derry
- 1988
-
Narratives by Field Day Directors, at the Royal Festival
Hall, London
- 1989
-
Yeats: A Fifty Year Salute, a public lecture by Seamus
Heaney, at the Guildhall, Derry Narratives - repeat performance
at the Guildhall Derry
- 1990
-
Speaking of Translation: poetry readings by Seamus Heaney,
Tom Paulin and Carol Ann Duffy, at the Royal Festival Hall, London
- 1992
-
Poetry reading by Ted Hughes, sponsored by Field Day, Impact '92
Festival, at the Guildhall, Derry
Publications
Field Day pamphlet series
-
1983. Seamus Deane, Civilians and Barbarians; Tom Paulin, A
New Look at the Language Question; Seamus Heaney, An Open
Letter
-
1984. Seamus Deane, Heroic Styles: The Tradition of an Idea;
Richard Kearney, Myth and Motherland; Declan Kiberd, Anglo-Irish
Attitudes
-
1985. The Protestant Idea of Liberty: Marianne Elliott, Watchmen in
Sion; Terence Brown, The Whole Protestant Community: The Making
of an Historical Myth; Robert McCartney, Liberty and Authority
in Ireland
-
1986. Emergency Legislation: Eanna Molloy, Dynasties of Coercion;
Michael Farrell, The Apparatus of Repression; Patrick McGrory, Law
and the Constitution: Present Discontents
-
1988. Nationalism, Colonialism and Literature: Fredric Jameson, Modernism
and Imperialism; Terry Eagleton, Nationalism, Irony and
Commitment; Edward Said, Yeats and Decolonisation
First six pamphlets (Series 1 and 2) collected and published as Ireland's
Field Day (London: Hutchinson, 1985; University of Notre Dam Press, 1986)
Series 5 published as Nationalism, Colonialism and Literature,
introduction by Seamus Deane (Minneapolis: University of Minnesota Press, 1989)
- 1983
-
Seamus Heaney, Sweeney Astray (translation of Irish poem Buile
Suibhne)
- 1989
-
Terry Eagleton, Saint Oscar (script of play produced by
Field Day)
- 1990
-
Seamus Heaney, The Cure at Troy (signed limited edition of
play)
- 1991
-
Seamus Deane, General Editor, The Field Day Anthology of Irish
Writing, 3 vols. (Field Day, Derry, 1991; distributed in UK by Faber
& Faber, London and in the USA and Canada by W W Norton, New York),
Special Limited Edition, Field Day, 1993)
- 1991
-
Máirín Ní Dhonnacadha and Theo Dorgan (eds) Revising the Rising
(Field Day, Derry)
Other
- Field Day Anthology of Irish Writing, Volume IV, Eds. A
Bourke, S Kilfeather, M Luddy, M MacCurtain, G Meaney, M Ní Dhonnacadha, M
O'Dowd, C Wills (for publication 1996)
- Poems by Irish Women 1715-1930, Ed. Medbh McGuckian and Ann
Colman (November 1995)
- Critical Conditions: Field Day Essays (in conjunction with
Cork University Press and University of Notre Dame Press)
-
Kevin Whelan, The Liberty Tree: Radicalism, Catholicism and the
Construction of Irish Identity 1760-1830 (November 1995)
-
Luke Gibbons, Transformations in Irish Culture (November
1995)
Field Day Theatre Company
Directors
- Seamus Deane
- David Hammond
- Seamus Heaney
- Tom Paulin
- Stephen Rea
Administration
- Administrator
- Colette Nelis
- Administrative Assistant
- Hilary Fletcher
Field Day Theatre Company, Foyle Arts Centre, Lawrence Hill, Derry BT48 7NJ,
Northern Ireland. (01504) 360196
A limited company with charitable status.
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